11/10/08

The Dears




I don't know if I'm just late to know about them, or whether you guys already know them. But when I pressed 'play' they immediately stole my heart. Hearing just 10 seconds of that first song on Myspace was enough to make me fall in love.

So yes, I wanted to share the wonderful music of The Dears.

Their music is orchestral, melodic, harmonious, dramatic, dark yet sunny and heavy yet light indie rock/pop; making use of seven band members (two of whom are also in Pony Up, and one other in Kill The Lights) and a soft touch of musical noise.

This Canadian band from Montreal was formed in 1995 and released their first album End of A Hollywood Bedtime Story in 2000. So they've definitely been around. They've been nominated and won several independent music awards, too.

So now, I let your ears be the judge.

Myspace
Website

"Money Babies"

"Lost in the Plot"

6/7/08

Stephen Fretwell

I heard this one on tv, surprisingly, and then began the frenetic googling. i like his sound. dunno how to describe it but its my kind of music. well, the ones I've heard anyway.

some wikipedia excerpts:

"On back of his growing stature and reputation, Fretwell was invited to support bands such as Travis, Elbow, Athlete, Keane and KT Tunstall. He supported Oasis at Marley Park in Dublin on Saturday July 16, 2005.

He is known for his curly mop of ginger hair, sombre lyrics and gravelly deep voice. He names his main influence as Bob Dylan. His songs are derivative of Dylan's work, and he learnt to play guitar by playing Dylan's songs on his grandfather's old, unused guitar.

The Times magazine said 'Not in your face but in your heart? Yes'."

incidentally, i also heard elbow's 'grounds for divorce' right after mr. fretwell's 'scar'. I first heard that song when it was recommended by kevin rose on pownce. didn't really like it. second time around was a bit better. I'm also a big fan of curly mops of ginger hair and Bob Dylan :P



his website
his myspace page
Stephen Fretwell - Scar

6/6/08

discovering

so I've been on youtube a lot. I mean, a lot. Bored. Bored. Bored.

I like to find out about new musicians, almost totally unheard of.
I find it very refreshing to listen to new stuff. Good stuff. Sort of inspiring I guess? Keeps me from getting bored of hearing the same things.

So here are a few selections:

Gary Nock - Dynamite


Leesha Harvey - Beautiful Destruction


Kris Rouley - Certainty in Freedom


Joe Burton - The Snow Gum Tree

5/2/08

a reminder of why we love Imogen Heap



4/29/08

Album Review: Thrice - The Alchemy Index, Vol. I and II: Fire and Water

Post-hardcore band Thrice have for long been considered the pioneers of their genre, with singles such as "All That's Left" and "Stare At The Sun". However, with every release, they seem to be shedding the post-hardcore label and showcased newfound songwriting talents, evident on the sound change on every album. The Illusion of Safety introduced the world to post-hardcore, The Artist of the Ambulance featured odd-time signatures and fist-pumping anthems, while Vheissu saw the band working with a pop producer and produced some of the most diverse material for a post-hardcore band ever. Then, around 2006/2007, the band left Island Records and came up with a grandiose idea: To record a series of EPs representing the four classic natural elements: Fire, Water, Air and Earth, and to completely self produce the EPs. To top that up, the last track of each EP is a specially written sonnet representing the view of each element on the world. But can a band once known for songs as brutal as "The Abolition of Man" pull this off? The answer is an astounding yes. The first trailer they posted last year turned a lot of heads. And today, I'll be reviewing the first half of their latest album/EP set, The Alchemy Index Vol. I and II: Fire and Water.


When writing something to represent the element fire, the things that come to mind will be utter heaviness, dark textures and grinding riffs. The band did just that, but with many twists along the way, among them is the usage of unusual instrumentation. Opening track "Firebreather" starts with a highly dissonant siren-like synth and a crowd chant at the end, "The Messenger" sees the band incorporating Kid A-esque electronic beats, while "Backdraft" features rather shockingly the country musician's favorite, the lap steel. Even on first listen, it's evident Thrice did a lot to make this EP heavy. The riffs definitely sound like they were tuned way lower than they used to, and Dustin's voice, even when he's not screaming, really hits you in the guts. And the band doesn't seem content with playing things in straight 4/4 either. Bands usually just add an additional hi-hat, cymbal crash or snare drum to signify an odd-time signature, but on the track "The Arsonist", the 7/4 time signature doesn't feel awkward, but instead gives a really dark, twisted feel, which is a really hard thing to pull off. But the standout tracks on this EP is "Burn the Fleet", which is in a major key (aka happy sounding), and "Flame Deluge", the sonnet of the EP, which is the heaviest song they have ever recorded to date. The guitars and synths engulf the already unfathomable 'singing' on this track, giving the impression of being in an actual flame deluge, but towards the end, everything drops out and the listener is left with a very gentle synth melody (which is a recurring motif in all 4 sonnets in this opus) that gives the feel of being completely burnt out. Overall, Thrice has succeeded in recording a worthy representative of the Fire element.


Next is the Water EP. On every listen, there is an impression that somehow the sounds are being drenched underwater due to the way every sounds attack comes out. This EP is definitely different from anything Thrice has ever done. Guitars take a sidestep here to electronic beats, synth treatments, processed vocals, and DJ-like sounds. Opening track "Digital Sea" is surprisingly danceable for a Thrice song and certainly wouldn't sound out of place in a night club! But it's from the song "Open Water" onwards that Thrice makes the listener really feel like they're being taken on a journey underwater by the band. The songs features some of Thrice's best songwriting and arrangements ever. Standouts are "Night Diving", the only guitar driven track and Thrice's first instrumental which is also an achievement in a way that it makes prog elements highly accessible to listeners, and "The Whaler", which really makes you feel like you're in the deepest trench in the ocean. In my opinion, the Water EP really shines on this first installment.


Thrice have definitely proved themselves as able songwriters. The way I see it, Fire is their "Master of Puppets"; heavy and revolutionary, but still not definitive, yet. Water, on the other hand is Thrice's answer to "Kid A". This album could is a total sleeper and could be one of the best and most ambitious albums of 2007.


Overall, I give it a 4.5/5

4/14/08

A QUARTET OF AWESOMENESS




I'm strictly a track person.
And here are some tracks that I like (luckily, they're not one of those tracks spun by new bands with wtf names that's popping out and spreading like the plague)













4/8/08

Yunalis


Good Malaysian music anyone? Her music is good! Check out her youtube videos! Or myspace.

one of my favourite songs:

Blue Sands by Yuna


and yes, she wears tudung....

Rosie Thomas


I just have a weakness for these female singers with light voices and fluid compositions... and for that touch of folksy vibe...

You should check out Rosie Thomas' music. It's absolutely beautiful. Good friend of Sufjan Stevens, she is. So if you like Sufjan you will like her. In fact, I knew her after listening to her duet with Sufjan. She is from Michigan, too. State where Sufjan grew up and... where I lived! hahaha....

"They set no deadlines or official recording schedule. The group of friends simply set up one or two microphones in a bedroom, living room, or kitchen and captured the songs as they happened.

“Whether you are a musician, painter, or whatever, there is a passion that sometimes gets lost because all of the sudden you have to clock-in or have deadlines. I sort of wanted to get back to that time when I played music for nothing,” Rosie says.

Most of the songs were recorded immediately after Rosie wrote them, with Denison and Sufjan scrambling to quickly write their own parts before Rosie herself forgot the songs. The laid-back gatherings, conducted off and on over two years, sparked a healthy creative process. By the end, Rosie realized that the recording had produced something completely unintended, an album.

Eventually, those songs, hastily recorded outside of a proper studio, became the aptly titled These Friends of Mine, her fourth release. The recording process was so liberating that Rosie’s even left the proper label practice behind, opting instead to release the album on her own imprint through Nettwerk Records."


check out her myspace or website for more.

1/12/08

Grand Avenue

OK. Here's the deal. They're Danish. They're a band of four. They're not new, but sound fresh enough. And on first impression, they're good!

For starters, try listening to:

  • Bullet
  • The Outside
  • She
  • London
  • Closer

Something about their sound reminds one of Coldplay. Or Embrace. Now that can't be bad. At least to a Coldplay fan like me.

1/10/08

Maximilian Hecker

I have this suspicion that his music is used in many Korean dramas since he's so very popular in the far east, and he had a whole tour of China and Taipei...
The first song of his I heard was 'Snow White', recommended to me by my Korean drama loving friend. It's very soft, airy and sad. Just the way I like it. And it's also quite short.
Maximilian Hecker is German but only sings in English and he describes his music as melancholy pop hymns.

Some reviews I found:

"He's got this amazing trick, you see -- song starts all lovely, wibbles along a bit, then - whoosh! - hits Heaven vibe and becomes audio Ecstasy"

"Maximilian has one of the most astonishing voices to grace any album this year, all wounded and quivering [...] and he contorts it expertly across all sorts of deft desolation [...]. In short, 'Infinite Love Songs' is an album that could go on for ever. Outstanding."
Iain Moffat, playlouder.com, 2002-03-28

"In a long list of precious, fragile, heartbroken artists to emerge in the last two years [...], Mr. Hecker whispers the most precious and fragile heartbreak of them all."
Neil Strauss, The New York Times, 2001-12-23

Some songs:
Summer Days In Bloom
Help Me
I Am Falling Now

Myspace page